Mothers and Sons: Stories

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Each of the nine stories in this beautifully written, intensely intimate collection centers on a transformative moment that alters the delicate balance of power between mother and son, or changes the way they perceive one another. With exquisite grace and eloquence, Tóibín writes of men and women bound by convention, by unspoken emotions, by the stronghold of the past. Many are trapped in lives they would not choose again, if they ever chose at all.

A man buries his mother and converts his grief to desire in one night. A famous singer captivates an audience, yet cannot beguile her own estranged son. And in "A Long Winter," Colm Tóibín's finest piece of cction to date, a young man searches for his mother in the snow-covered mountains where she has sought escape from the husband who controls and confines her.

Winner of numerous awards for his fifth novel, The Master -- including the Los Angeles Times Book Prize and the International IMPAC Dublin Literary Award -- Tóibín brings to this stunning first collection an acute understanding of human frailty and longing. These are haunting, profoundly moving stories by a writer who is himself a master.

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The nine stories in Mothers and Sons examine in depth some of the ways that the bond that is forged--or not--between mothers and their sons is altered, re-formed, or broken forever. In The Master, his fictionalized life of Henry James, Toíbín made the reader see and understand the writer more fully than ever before. Similarly, these new stories look at relationships between fully formed adults and, with a few deft strokes, make clear what their mutual history has brought them to. In most cases, they must deal with loss, while trying to grasp the complexities of that sometimes precarious balance between a mother and her son.

In the first story, "The Use of Reason," a lifelong burglar is nearly brought down by his mother, who talks too much when she drinks in her local pub. In "A Song," Noel, on the town with a group of his musician friends, ends up in the same bar as his estranged mother, who is asked to sing. She sings an Irish ballad about love and treachery and he is convinced that she is singing directly to him. In "A Priest in the Family," Molly's son Frank is accused of abuse, but no one has the courage to tell her until it is almost time for the trial. Her reaction is not entirely predictable. "Three Friends" takes place after a young man attends his mother's funeral. He joins his friends for a night of carousing and drugs ending with a late-night swim, where he is emboldened to make an overt sexual pass at one of his buddies, with interesting results. The final story, "A Long Winter," is set in Spain in a remote village. Miquel's mother drinks. Everyone knows it but Miquel. His father pours out her supply of booze and she leaves the house. So far it's a simple story. It doesn't stay that way. Each of these stories has its own gravitas, its own sadness, and that laser-beam of insight that is Toíbín's trademark. --Valerie Ryan

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